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Merge AIFF

Free Online AIFF Merger

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How to Merge AIFF Files

1 Upload every file you want combined — at least two of them.
2 Drag the uploaded items into the order you want; the order is taken from the list, not from the filenames.
3 Start the merge, which joins matching inputs without re-encoding them and reconciles mismatched ones exactly once.
4 Download the single combined AIFF file.

Merge AIFF FAQ

Does it matter if the inputs are different formats?
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It does. AIFF is Apple's uncompressed PCM format — the Mac-side equivalent of WAV, same size, same fidelity. Matching inputs take a fast, lossless path; mismatched ones have to be reconciled to a common format, which is slower and costs one encode.
Yes — AIFF is big-endian PCM where WAV is little-endian; the audio is equivalent, and the choice is really about which ecosystem opens it without complaint. That is worth checking when the inputs did not all come from the same source.
Concretely, the PCM streams are joined sample-exactly, so the result is bit-identical to the inputs laid end to end — which is why lossless is the right family to assemble a master in. Upload everything you want combined and the result comes back as a single file.
Yes — drag the uploaded items into the order you want before starting. Order is taken from the list, not from the filenames, so "IMG_2.jpg" sorting after "IMG_10.jpg" is not a problem you have to solve first.
Yes, unless you change them deliberately. A 24-bit/96 kHz source stays 24-bit/96 kHz — nothing is silently downsampled to 16/44.1, which is the failure mode that makes a master unusable.
WAV, FLAC and AIFF, at any bit depth and sample rate up to and including 24-bit/192 kHz. Lossy files work in the same batch if you are mixing sources.
Yes: free accounts process audio up to 200 MB per file — for uncompressed PCM that is roughly twenty minutes of CD-quality stereo, so it is a real limit here in a way it is not for MP3. If you are over it, converting WAV to FLAC first is the free fix — it is lossless and roughly halves the size.
No. Lossless audio is edited sample-exactly, so what comes back decodes bit-identically to what you would get doing the same edit in a desktop editor. You can repeat the cycle as many times as you like without accumulating any loss at all.
WEBP.to is built around the modern replacement for both of the old defaults: one format that does lossy, lossless, alpha and animation, and reliably lands smaller than the JPEG or PNG it came from. People arrive here having decided the old defaults are costing them bandwidth, and that decision immediately raises the rest: what size, what quality, what happens to the transparency. Merge AIFF is on the same upload and the same account so those questions get answered in one place.
The converter on this site moves images to and from WebP, PNG, JPG and AVIF, which is where you decide whether a smaller file is worth losing the older browsers. Doing it in that order matters: pick the pixels first and the container afterwards, because the container is the cheap decision and the pixels are the expensive one.
The engines are identical — same libraries, same workers, same caps. What is different is the opinion attached, and the opinion here rests on a property of the format this site is named after: the same .webp extension can hold a lossy VP8 frame, a lossless one, or an animation, so the sensible processing path is decided per file rather than per extension.
No account, and nothing is retained: uploads are deleted from the workers shortly after the job finishes, and nothing is inspected, listed or indexed. Accounts exist for history and batch size only.

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