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AIFF Cutter

Free Online AIFF Cutter and Trimmer

Go with your files

*Files deleted after 24 hours

Specify the start and end time for the portion you want to keep.

Format: HH:MM:SS (e.g., 00:01:30 for 1 minute 30 seconds)

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How to Cut and Trim AIFF

1 Upload the AIFF audio files you want to cut.
2 Drag the start and end handles on the waveform or the timeline, or type exact timecodes if you already know them.
3 Preview the selection and run the cut — the part you keep is copied through untouched wherever the format allows it.
4 Download the trimmed AIFF file.

AIFF Cutter FAQ

Does the format limit where I can cut?
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It does. AIFF is Apple's uncompressed PCM format — the Mac-side equivalent of WAV, same size, same fidelity. That is precisely what decides whether a cut can be placed arbitrarily or has to land on a structural boundary.
Yes — AIFF is big-endian PCM where WAV is little-endian; the audio is equivalent, and the choice is really about which ecosystem opens it without complaint. It explains most of the "the cut is a fraction of a second off" surprises.
Concretely, the cut is sample-exact, so you can place the boundary precisely where you want it rather than on the nearest frame, and the surviving audio is bit-identical to the source. You set the start and end points on the waveform or the timeline and keep what is between them.
You can type exact timecodes rather than only dragging, and the preview scrubs to the position as you move it. How exact the result can be depends on the format: some allow a cut anywhere, others snap to the nearest frame or keyframe.
Yes, unless you change them deliberately. A 24-bit/96 kHz source stays 24-bit/96 kHz — nothing is silently downsampled to 16/44.1, which is the failure mode that makes a master unusable.
WAV, FLAC and AIFF, at any bit depth and sample rate up to and including 24-bit/192 kHz. Lossy files work in the same batch if you are mixing sources.
Yes: free accounts process audio up to 200 MB per file — for uncompressed PCM that is roughly twenty minutes of CD-quality stereo, so it is a real limit here in a way it is not for MP3. If you are over it, converting WAV to FLAC first is the free fix — it is lossless and roughly halves the size.
No. Lossless audio is edited sample-exactly, so what comes back decodes bit-identically to what you would get doing the same edit in a desktop editor. You can repeat the cycle as many times as you like without accumulating any loss at all.
WEBP.to is built around the modern replacement for both of the old defaults: one format that does lossy, lossless, alpha and animation, and reliably lands smaller than the JPEG or PNG it came from. People arrive here having decided the old defaults are costing them bandwidth, and that decision immediately raises the rest: what size, what quality, what happens to the transparency. AIFF Cutter is on the same upload and the same account so those questions get answered in one place.
The converter on this site moves images to and from WebP, PNG, JPG and AVIF, which is where you decide whether a smaller file is worth losing the older browsers. Doing it in that order matters: pick the pixels first and the container afterwards, because the container is the cheap decision and the pixels are the expensive one.
The engines are identical — same libraries, same workers, same caps. What is different is the opinion attached, and the opinion here rests on a property of the format this site is named after: the same .webp extension can hold a lossy VP8 frame, a lossless one, or an animation, so the sensible processing path is decided per file rather than per extension.
No account, and nothing is retained: uploads are deleted from the workers shortly after the job finishes, and nothing is inspected, listed or indexed. Accounts exist for history and batch size only.

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